Modern technology can
send a message to someone 25,000 miles around the world, but still
can't get it past the last quarter of an inch.
LIVING
WORDS was the last in the Autumn series of seminars presented by
McKenna Breen in 2000. Some 40 people were treated to three days
with Michael Breen and John LaValle.
John LaValle
is the President of the Society of NLP. He regularly teaches
Persuasion Engineering with Richard Bandler in the USA, and lives in
New Jersey regarded by some as the attitude capital of the
world.
John
started out by reassuring us that we all had just as many words
inside our heads as he did in his - in fact, probably more. "I don't
need as many," he explained, commenting on the British thing of
"Excuse me, I'm terribly sorry, would you mind awfully..." In New
Jersey, "Fuck you" would suffice.
John
explained that what allows him to make the best use of the words he
has got is good 'brain juice' and this is down to how he practices
language patterns. He pointed out that a common experience for
people is coming up with a smart answer after the event. "All the
same words are there," he said "I can just get to mine quicker."
When people ask him how to get good at language patterns his answer
is always the same. "Write them out. And keep writing them out."
We also
covered syntax, semantics and the odd ambiguity; the structure of
humour and flexibility; and management by stealth. John asked us
when was the last time we had "some antics" and had we paid our "sin
tax." When he was asked if he watched The Sopranos his response was
simply, "Where I come from - we are the Sopranos."
The first
thing we were told to do was to take what people say literally. The
first intervention was to simply repeat back to them what they had
just said but with a change of emphasis. Sometimes John even
punctuates their sentences for them. In response to someone who had
said, "I don't think it will work." John agreed with him, "You're
right. You don't think." He said. "It will work." Then we were told
to ask meaningful questions, such as "What do you mean by that?"
Richard
Bandler used to draw people's attention to the fact that they could
be running their own brains by asking them "Who's driving the bus?"
When talking about working with other people, John LaValle used the
analogy of taking a ride in a taxi. If it were you getting in the
taxi the first question you ought to have is, "Do you know how to
drive?" If you are the driver, you need to know where you are going
and how to get there. Since every question and statement that you
make is an intervention you need to be able to keep track from
moment to moment and know the purpose of every thing that you
do.
Before
challenging presuppositions you must be able to tell the difference
between simply agreeing with what someone says and what must be true
for that to be a valid statement. Then challenge only useful and
appropriate presuppositions. Not, as John overheard one delegate do,
when they questioning someone about the fact that they had family
living in Australia. "Living?"
When you
hit on a key presupposition and notice a shift in their thinking you
can then take it to the next step by making it as ridiculous as it
actually is. Humour and flexibility in thinking go hand in hand and
we spent a lot of time looking at the structure and patterns of
humour. We were given plenty of examples of puns and ambiguities to
work from that included Newspaper headlines such as 'Prostitutes
appeal to Pope,' quotes from American comedian Steven Wright, and
answers from recent GCSE papers that were a reflection on the funny
state of our education system. One of the most appropriate seemed to
be: 'Analysing humour is like analysing a frog: you can do it, but
the frog tends to die in the process.' We weren't dissecting jokes
to find out why they were funny, we wanted to spawn even more.
We did
some voice work and concentrated on speaking in rhythm, so that when
you speak you breathe in rhythm and this regulates the oxygen flow
to your brain. Also when someone is listening to you they have to
listen in a rhythm. Then they'll breathe in a rhythm. You don't have
to follow them. They will follow you.
We spent a
lot of time exploring the impact of different elements of language
on ourselves and other people. We worked on our own internal
dialogue and applied everything we had learned to ourselves so that
we could have more useful conversations inside our heads as well. We
felt the effect of Modal operators in two different ways. Comparing
the difference between when we were talking to ourselves and then
having someone else tell us. John told us in order to have more
direct communication eliminate the use of modal operators, 'It's one
less filter for your communication to go through.'
John was
always direct in what he said, but sometimes all it took was a
certain look. We learned to use our non-verbal behaviour to get
someone to question what they had just said for themselves. His
explanations were succinct and insightful: Time is just something
prevents everything from happening at once. Experience occurs only
in the present. All resources come from the past. Resources are
states or skills. Goals are always behaviour.
It was, as
John would have put it, 'A Kick Ass Experience.' Personally, it
brought a lot of things together for me. There were many "Ah ha"
moments and "No shit" too. I thanked John for all the abuse. It
really helped.
©
Copyright 2000 Tim Kenning